And now, for first time on television, we present to you the interview with Eric Green, taken by Patricia Stone.
- Hello Eric, and welcome to our studio.
- Hello Patricia, it's a pleasure.
- Your story made world news, but some of our audience might have missed the details, before we move on with the questions, could you describe to them what happened to you, and why that changes the world as we know it.
- I managed to extend my existence into a 4th dimension. You are about to ask me if time is the 4th dimension, and the answer is - no, it is not. Answering you before you asked the question might seem to contradict that, but it does not. The forth dimension is not entangled with any of the 3 dimensions we take fore granted, neither with time. It allows me to stand aside from the a specific point of the space-time and observe it's "surrounding" space-time. To make it more clear - imagine that the space-time is a line of boxes from -infinity to +infinity. If we take a one box of it to represent the current moment in time and space, I would be able to "rise" a bit above the line and thus observe what's inside the neighboring boxes. I cannot move back and forth between boxes, only observe them. Also I cannot view clearly the entire content of the boxes, due to looking to them at an angle. That allows for some uncertainty on the exact events to take place.
- So you are like a medium that can see what will happen into the immediate future?
- I do not "see" it in a form of a vision, but I feel what will happen next with some amount of certainty.
- Isn't that something that everyone does?
- It is. Only I do it with extreme success, that cannot be matched or explained by scientists.
- Can you tell us how you achieved the extending to 4D?
- It started as a project for a video game. The idea was to allow the player to act in a virtual 4D space. There are already such games in development, but they represent only 3 dimensions at a time, and you can just switch one predefined of the 3 presented with a predefined 4th one. In that sense, you never experience 4D - all the dimensions at once. I wanted to come up with a way to represent all the dimensions simultaneously.
At some point I asked myself how would 2D entities attempt to visualize the 3D, and I figured that it's impossible. We see through light, but you can use any electromagnetic wave. These waves, do not "exit" the 3D space, neither such waves "enter" in our 3D from the 4th dimension. (That is because it's not entangled with the 3D). Therefore there cannot be visual representation of the 4D. So I decided to try and observe 4D through another sense. Blindfolded I started attempting to imagine what will it be like to hold a 4D cube. It took a lot of time and there was a lot of frustration, but at one point I managed to construct a model of the sensation that holding a 4D cube will imply.
I kept on training with more and different 4D shapes. It took me a great deal of time and practice to achieve that without closing my eyes first - that was the hardest part. However with time I learned, and it became more and more easier. I started to sensory imagine various 4D extensions of real life objects. At some point I jumped to perceive 4D space - the 4D shape that was not filled by the 4D extensions of the real objects.
I discovered that my 4D view of the world is real through an accident. One day I was exercising my 4D sensuality by extending the whole office. I figured, there is overlapping of some objects, and traced them to try and repair what I though was an error on my behalf. However the reduced result implied that my colleague's coffee cup should be in pieces. The next instant I observed my colleague knocking his cup of the desk. Initially I dismissed the fact that I predicted the breaking of the cup by telling myself it was a coincidence and that I probably saw his hand move just before making the conclusion on subconscious level, and only then considering the 4D implication.
- It sounds amazing, how long ago did you start imagining the 4D?
- It was about 18 years ago.
- One of our viewers has a question: "Doesn't the 3D base allow multiple 4D extensions?"
- It does, but I always choose ones that are proportional to their 3D sizes. Often the 4D scenery greatly narrows possible extensions into the 4D. Considering the relative positions of the objects in the past also reduces the options. And the remaining different options constitute the creeping uncertainty.
- Another question from the audience: "How do people extend in the 4D?"
- Ah, you are on the right track with that question. It's nearly impossible to define the right extension for people. I tend to imagine their extension as a mist. I associate the feeling as touching a dense liquid, or jelly - it's soft and bends to the applied force, but returns to the initial form if the force is removed. Unlike jelly my perception does not have definite edge, however I imagine a sort of an envelop that defines all possible extensions inside of it. That envelop is relatively at the defined by the edge where the sensory feedback cannot be distinguished from zero. Note that it's something that I imagine, it's not a property of the shape. One might feel that interaction by human upon an object should increase the possible extensions of the scenery, but in practice it's quite the opposite. Often interaction with a well defined object reduces the person's 4D extension possibilities to just one. Human to human interaction can go both ways - my observations do not incline in any direction.
- So what you're saying is that me holding the microphone makes my future predetermined.
- If you are about to bump me on the head with the mic to prove that your actions aren't predetermined - please don't.
- Ha ha, that's incredible, I was just considering that...
- Yes, it is true, that my experiences and other senses influence the way I extend the scenery into 4D. If I wasn't using previously remembered 4D models it would be impossible to "observe" the 4D in real time. If fact we do the same thing when we view the 3D with our eyes. Over 90% of what we see is based on our memory. Looking at a light bulb gives us information of a bright spot. It's our memory that gives us info on what's behind the glare. It's the same with interpreting visual information based on knowledge of our environment. When you are on a train and look at a passing closely by column, what you get as visual information is a smeared bit of gray. Our knowledge of being on the train and that it's common that the same column we saw at the station, to repeat along the tracks, that allows us to interpret the visual data.
- Many of our viewers still believe that your abilities are a hoax, and cannot accept the implications that they imply, how does that make you feel?
- I understand them. I feel a bit sorry for them, because that means they cannot adapt well to the new understanding of the world. The new concept will find applications in real life and sooner or later they will have to embrace it if they want to fall behind from the rest of the world.
- Do you plan to extend to 5D any time soon?
- No, I don't. I plan to work on making the sensory mapping more precise, and I hope this will allow me to peer a bit further into the future.
- Thank you Eric for the time, and I wish you luck with your endeavor.
- Thank you, and good night.
Iliyan Bobev, Copyright 2010.
- Hello Eric, and welcome to our studio.
- Hello Patricia, it's a pleasure.
- Your story made world news, but some of our audience might have missed the details, before we move on with the questions, could you describe to them what happened to you, and why that changes the world as we know it.
- I managed to extend my existence into a 4th dimension. You are about to ask me if time is the 4th dimension, and the answer is - no, it is not. Answering you before you asked the question might seem to contradict that, but it does not. The forth dimension is not entangled with any of the 3 dimensions we take fore granted, neither with time. It allows me to stand aside from the a specific point of the space-time and observe it's "surrounding" space-time. To make it more clear - imagine that the space-time is a line of boxes from -infinity to +infinity. If we take a one box of it to represent the current moment in time and space, I would be able to "rise" a bit above the line and thus observe what's inside the neighboring boxes. I cannot move back and forth between boxes, only observe them. Also I cannot view clearly the entire content of the boxes, due to looking to them at an angle. That allows for some uncertainty on the exact events to take place.
- So you are like a medium that can see what will happen into the immediate future?
- I do not "see" it in a form of a vision, but I feel what will happen next with some amount of certainty.
- Isn't that something that everyone does?
- It is. Only I do it with extreme success, that cannot be matched or explained by scientists.
- Can you tell us how you achieved the extending to 4D?
- It started as a project for a video game. The idea was to allow the player to act in a virtual 4D space. There are already such games in development, but they represent only 3 dimensions at a time, and you can just switch one predefined of the 3 presented with a predefined 4th one. In that sense, you never experience 4D - all the dimensions at once. I wanted to come up with a way to represent all the dimensions simultaneously.
At some point I asked myself how would 2D entities attempt to visualize the 3D, and I figured that it's impossible. We see through light, but you can use any electromagnetic wave. These waves, do not "exit" the 3D space, neither such waves "enter" in our 3D from the 4th dimension. (That is because it's not entangled with the 3D). Therefore there cannot be visual representation of the 4D. So I decided to try and observe 4D through another sense. Blindfolded I started attempting to imagine what will it be like to hold a 4D cube. It took a lot of time and there was a lot of frustration, but at one point I managed to construct a model of the sensation that holding a 4D cube will imply.
I kept on training with more and different 4D shapes. It took me a great deal of time and practice to achieve that without closing my eyes first - that was the hardest part. However with time I learned, and it became more and more easier. I started to sensory imagine various 4D extensions of real life objects. At some point I jumped to perceive 4D space - the 4D shape that was not filled by the 4D extensions of the real objects.
I discovered that my 4D view of the world is real through an accident. One day I was exercising my 4D sensuality by extending the whole office. I figured, there is overlapping of some objects, and traced them to try and repair what I though was an error on my behalf. However the reduced result implied that my colleague's coffee cup should be in pieces. The next instant I observed my colleague knocking his cup of the desk. Initially I dismissed the fact that I predicted the breaking of the cup by telling myself it was a coincidence and that I probably saw his hand move just before making the conclusion on subconscious level, and only then considering the 4D implication.
- It sounds amazing, how long ago did you start imagining the 4D?
- It was about 18 years ago.
- One of our viewers has a question: "Doesn't the 3D base allow multiple 4D extensions?"
- It does, but I always choose ones that are proportional to their 3D sizes. Often the 4D scenery greatly narrows possible extensions into the 4D. Considering the relative positions of the objects in the past also reduces the options. And the remaining different options constitute the creeping uncertainty.
- Another question from the audience: "How do people extend in the 4D?"
- Ah, you are on the right track with that question. It's nearly impossible to define the right extension for people. I tend to imagine their extension as a mist. I associate the feeling as touching a dense liquid, or jelly - it's soft and bends to the applied force, but returns to the initial form if the force is removed. Unlike jelly my perception does not have definite edge, however I imagine a sort of an envelop that defines all possible extensions inside of it. That envelop is relatively at the defined by the edge where the sensory feedback cannot be distinguished from zero. Note that it's something that I imagine, it's not a property of the shape. One might feel that interaction by human upon an object should increase the possible extensions of the scenery, but in practice it's quite the opposite. Often interaction with a well defined object reduces the person's 4D extension possibilities to just one. Human to human interaction can go both ways - my observations do not incline in any direction.
- So what you're saying is that me holding the microphone makes my future predetermined.
- If you are about to bump me on the head with the mic to prove that your actions aren't predetermined - please don't.
- Ha ha, that's incredible, I was just considering that...
- Yes, it is true, that my experiences and other senses influence the way I extend the scenery into 4D. If I wasn't using previously remembered 4D models it would be impossible to "observe" the 4D in real time. If fact we do the same thing when we view the 3D with our eyes. Over 90% of what we see is based on our memory. Looking at a light bulb gives us information of a bright spot. It's our memory that gives us info on what's behind the glare. It's the same with interpreting visual information based on knowledge of our environment. When you are on a train and look at a passing closely by column, what you get as visual information is a smeared bit of gray. Our knowledge of being on the train and that it's common that the same column we saw at the station, to repeat along the tracks, that allows us to interpret the visual data.
- Many of our viewers still believe that your abilities are a hoax, and cannot accept the implications that they imply, how does that make you feel?
- I understand them. I feel a bit sorry for them, because that means they cannot adapt well to the new understanding of the world. The new concept will find applications in real life and sooner or later they will have to embrace it if they want to fall behind from the rest of the world.
- Do you plan to extend to 5D any time soon?
- No, I don't. I plan to work on making the sensory mapping more precise, and I hope this will allow me to peer a bit further into the future.
- Thank you Eric for the time, and I wish you luck with your endeavor.
- Thank you, and good night.
Iliyan Bobev, Copyright 2010.
